![]() ![]() Recreates the characteristics of vintage synthesizers by introducing micro-fluctuations in oscillators, filter, and envelopes per voice. One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter One dedicated reverb with damping, pre-delay, decay and tone ![]() Velocity modulation of each envelope amountĮnvelopes freely assignable to multiple modulation destinationsįive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)Ĭlock sync (internal or external MIDI clock)įreely assignable to multiple modulation destinations Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, gate) Keyboard tracking on/off for each oscillatorįour-pole, resonant, analog low-pass filter per voice, based on Prophet 5 Rev 4 designįilter can be driven into self-oscillation with the Resonance control Square wave sub-octave generator (oscillator 1) per voice Hard sync: oscillator 1 syncs to oscillator 2 Portability is also a huge plus-you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind.”Ĭontinuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator It is pure Sequential sound and quality at a price that’s within reach of almost anyone. Sequential CEO David Gibbons summed up the Take 5 this way: “For players that have wanted to get into analog poly synths but have been put off by price or complexity, the Take 5 is the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths. A 64-step polyphonic sequencer and multimode arpeggiator complete the picture. The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice LFO), ADSR+delay envelopes, dual digital effects (a dedicated reverb and a suite of time-delay and other effects) a separate additional overdrive effect, and extensive modulation possibilities. For still more warmth, a Vintage knob adds micro variations to oscillator, filter, and envelope behavior from voice to voice. The Prophet-5-lineage 4-pole analog filter shapes the sound of the oscillators and sub oscillator in classic fashion while a Drive control provides additional punch. ![]() Two voltage-controlled oscillators provide traditional sine, saw, and pulse waves with waveshaping, while simple analog FM adds harmonically complex, bell-like FM timbres at need. It was a joy to work on and I’m looking forward to hearing what our customers create with it.” This versatility comes from the Take 5’s sound engine. Throughout development we were amazed by how huge this synth sounds and how crazy versatile it is. “Packing this much performance power into such a small footprint was the kind of challenge we love. “The Take 5 puts the classic Sequential sound and legacy into the hands of people who may not have been able to experience it before,” said Dave Smith, Sequential founder and lead product designer. Dual Digital effects and a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM ensure the Take 5 can cover a wide range of sonic territory, from vintage to modern. Its clever key-split feature gives players access to a wider playable range than many other compact synths by enabling players to divide the 3.5 octave keyboard into two separate performance zones. A full-featured subtractive synthesizer, the Take 5 sports two VCOs and a sub oscillator per voice, a classic 4-pole, resonant analog filter from the Prophet-5 Rev 4 design, 44 full-size keys, and a premium Fatar keybed. ![]()
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